CORELLI ALS MODELL. STUDIEN ZUM 300. TODESTAG VON ARCANGELO CORELLI (1653–1713)
Vorwort der Herausgeberin
- Andrew Hopkins: Exemplary Architecture in Corelli’s Rome. Old Models, New Models, Non-Models
- Agnese Pavanello: The Development of a Model. Rome as a Resonance Space for Corelli’s Work
- Antonella D’Ovidio: „Composed for the Academy [...] of Cardinal Ottoboni“. Exploring the Implications Behind Music and Patronage in Corelli’s op.4
- Alberto Sanna: Contrapuntally Crafted, Harmonically Eloquent. Corelli’s Sonatas and the Compositional Process in the Late 17th Century
- Johannes Menke: Was hat Corelli in der None gefunden?
- Nicola Cumer: „Se il divin Corelli imparerai“. Didaktische Anregungen zum Partimento-Studium
- Alexandra Nigito: „... in numero di centocinquanta“. The Orchestra in the Age of Corelli
- Neal Zaslaw: „Curling Graces“ and „Vermin“. Problems with the Ornaments for Corelli’s op.5
- Gregory Barnett: Deconstructing Corelli’s Bass Violin
- Guido Olivieri: Stylistic Influences of Arcangelo Corelli’s Music on the Neapolitan Violin Sonata Repertory
- Christoph Riedo: From South to North and from the Centre out: Corelli’s Reception in 18th-Century Switzerland
- Clive Brown: Performing Corelli in the 19th Century