Professor of Music, Columbia University (USA)
Susan Boynton joined the Columbia faculty in 2000. Her research interests include liturgy and music in medieval Western monasticism, particularly the abbey of Cluny; manuscript studies; music in the Iberian peninsula; music and childhood; and intersections between music and the visual arts. Boynton is a recipient of Columbia's Distinguished Faculty Award and has received fellowships from the American Council of Learned Societies, the National Endowment for the Humanities, the American Academy in Rome, and the Institute for Advanced Study in Princeton. Currently she is Project Leader of a digital humanities and musical iconography exchange with the Sorbonne, FAB-Musiconis. She has published seven books. The first, Shaping a Monastic Identity: Liturgy and History at the Imperial Abbey of Farfa, 1000-1125 (2006), won the Lewis Lockwood Award of the American Musicological Society. Her second monograph, Silent Music: Medieval Song and the Construction of History in Eighteenth-Century Spain (2011), won the Society's Robert M. Stevenson Award. Prof. Boynton coedited (with Diane J. Reilly) The Practice of the Bible in the Middle Ages (2011). Also coedited with Diane J. Reilly, Resounding Images: Medieval Intersections of Art, Music, and Sound (2015) won the Society's Ruth A. Solie Award.
More information: https://music.columbia.edu/bios/susan-boynton