26.04.2024
The moresca is a widespread dance and term in the Renaissance. However, what is referred to as “moresca” in the various regions and contexts is so heterogeneous that it defies a standardised definition. It is precisely because of these characteristics that the moresca is interesting for an examination within the framework of historically informed musical practice. The aim is to find a way of dealing with gaps in knowledge, problematic terms and cultural attributions and, not least, with polyvalences.
18.04.2024
11.04.2024
18.03.2024 – 19.03.2024
29.02.2024
29.02.2024
25.01.2024
05.12.2023
23.11.2023 – 25.11.2023
Die Musik des Mittelalters bis zur Romantik gehört zu unserem Musikleben, nicht aber die entsprechenden historischen Konzepte von Emotionen und ihres Ausdrucks. So sind Musiker:innen im Bereich der Alten Musik herausgefordert, einen persönlichen Bezug zur impliziten und expliziten «Emotionalität» eines historischen Musikstücks zu finden.
16.11.2023
09.11.2023
02.11.2023
26.10.2023
19.10.2023
02.09.2023
In recent years at Castel Toblino, a historic complex dating back to the 12th century and since the 16th century the peripheral seat of the court of the prince-bishops of Trento, frescoes with musical subjects of exceptional importance have emerged, presented in the essay by F. Dassenno (in: “Studi Trentini, Arte” 2021, vol. 2).